
Spring, however, is completely different.
Where Texas has it's gorgeous bluebonnets, Surrey has its daffodils, or 'Daffs!' as the flower traders declare on their signs, 'only £3.50 per bundle!' The daffs are incredible here and grow like the gorgeous wildflowers that blanket the Texas Hill Country do - everywhere and in the most unexpected places. In addition to the innumerable happy yellow flowers, the trees in Surrey are in full blossom.
Jack and I were walking home from the park last week end when he stopped, took hold of my hand, and shouted, "Momma! That tree looks like it has icing on it!!" It was a gorgeous cherry blossom tree, the pink blossoms so thick that I admitted there could be no other description for what it looked like - creamy pink icing. We immediately went home and made cupcakes.
Add to this the fact that the days have been summer-like and pleasant, and all anyone wants to do is be outside.
But I digress. My point here is to say that movie posters, no matter how new. or glossy they are, ought to pale in the midst of such natural beauty. I shouldn't have noticed them, but I did. Thus, this post.
Mirror Mirror. That's the name of the movie. The posters depict Julia Roberts, considering the shiny red apple in hand, and the promise of a re-created Snow White fairy tale that is supposed to revive all Snow White stories in the same way that Cinderella was given new life a few years ago in the forms of Ever After, Ella Enchanted, and The Princess Diaries. Roberts plays the evil witch, obsessed with being the fairest one of all who, in what can only be called the extremest form of envy, decides to murder the newest one to win the beauty competition ((ahem.) Scholarship program).

Anyway, upon seeing the movie poster, I started to wonder about why this type of story is so popular now. Is it too obvious to say that as a middle aged woman, I am afraid of aging and feel intense jealously with regard to youth and beauty? Does the story simply mirror the seasons: the gnarled tree limb's jealousy toward the icing blossoms and daffs? Is it to acknowledge the obsessive nature of humans, whether it be towards something we desire (beauty, wealth, something that someone else possesses) or this major need for things to stay exactly as they are? What is it? Does it matter? Should it?
In any case, the bus stop became a place of contemplation for me.
*Source: Kinder- und Hausmärchen, 1st ed. (Berlin: Realschulbuchhandlung, 1812), v. 1, no. 53, pp. 238-50. Translated by D. L. Ashliman. © 1998-2002.
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